Streaming Killed the TV Star? UK Media Trends in 2025

From BBC to YouTube — how British viewing habits are evolving in a digital-first world

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In 2025, the UK media landscape is undergoing one of its most dramatic transformations since the introduction of colour television. Once the cornerstone of British living rooms, traditional broadcasters are now playing catch-up in a rapidly shifting digital world dominated by streamers, social media platforms, and AI-driven content discovery.

The Streaming Surge

According to Ofcom’s latest figures, over 90% of UK households now subscribe to at least one streaming service, with Netflix, Amazon Prime Video, and Disney+ leading the pack. Homegrown services like ITVX and BBC iPlayer have seen increased adoption, but struggle to compete with the content volume and algorithmic pull of their international counterparts.

"It’s not about what’s on at 8 p.m. anymore — it’s about what’s trending now."

The Decline of Scheduled Programming

Linear TV viewing — watching scheduled shows at set times — has plummeted by 35% over the last five years. BBC One, ITV, and Channel 4 still draw viewers for live events like the FA Cup or national addresses, but the majority of entertainment and drama consumption has shifted online.

Did you know? In 2024, more people in the UK watched YouTube content daily than BBC One.

YouTube and the Creator Economy

The line between “TV presenter” and “content creator” continues to blur. Young audiences — particularly those aged 13–24 — are increasingly loyal to YouTubers and TikTok influencers rather than traditional celebrities. Channels like Sidemen, Amelia Dimoldenberg’s Chicken Shop Date, and commentary creators now draw millions of views, often surpassing prime-time programming.

Monetisation options such as Super Chats, brand deals, and Patreon subscriptions have enabled independent creators to sustain full-time careers — sometimes rivalling the budgets of traditional shows.

Public Broadcasting's Digital Pivot

The BBC has responded with a major investment in iPlayer and youth-focused spin-offs like BBC Three’s online-first strategy. Despite budget pressures and debates over the licence fee, the broadcaster still commands trust and reach, particularly in news and national coverage. However, critics argue its digital pivot has come too late.

Footnote: BBC Sounds and iPlayer saw record usage during the 2024 Euros, suggesting public events may still be the key to drawing national digital audiences.

Regulation and Responsibility

Ofcom’s role has expanded to cover online platforms more rigorously. The Online Safety Act, passed in 2023, now holds video platforms to stricter standards around misinformation and harmful content — prompting a wave of moderation reforms and creator backlash.

The Future: Hybrid Habits

Rather than a total replacement, streaming is weaving itself into British viewing culture. Many households now combine live TV for sport and breaking news, with bingeable dramas and creator-led commentary online. The rise of smart TVs and voice search has made this hybrid experience seamless.

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In short: appointment viewing is out, algorithmic discovery is in.

What This Means for Viewers and Creators

  • 📱 Mobile-first content is king — especially for under-30s
  • 📊 Personalisation is now expected, not optional
  • 📡 Trust and quality remain key differentiators for traditional outlets
  • 🎥 The best talent is platform-agnostic — moving from TikTok to Netflix and back again

2025 marks a turning point: not the end of TV, but its reinvention. The next generation isn’t just watching — they’re uploading, reacting, remixing. In this new media ecosystem, agility wins and everyone’s a broadcaster.